The phantom of the opera essay

Now a lost filmit is only known to have existed because of references to it in other media.

The phantom of the opera essay

Judas did not think of himself as a traitor. He did what he did, not because he was basically evil, but because he was intelligent. He could se Christ becoming something he considered harmful to the Jews.

Judas felt that they been persecuted enough. As far as what Christ was saying, general principles of how human beings should live together — Judas approved of this. What Judas was worried about was that as Christ got bigger and bigger and more popular, people began switching their attentions from what Christ was saying to Christ himself.

They were saying that Jesus is God, here is the new Messiah, and Judas was terrified because, a. Judas reckoned that if the movement got too big and people began worshipping Christ as a god, the Romans who were occupying Israel would come down and clobber them.

Of course, the Christ the authors present would not have risen from the dead. They are not men of faith, and their statements only serve to undermine the scriptures. I have not seen the show, and my objections are based on what friends who have seen it tell me.

The executives at MCA Records were terrified by it. These kids are trying to take Jesus off the stained-glass windows and get him down on the street.

Some people are not going to like that. But today, Jesus Christ Superstar has been dumbed down, made palatable and comfortable, robbed of the rebellious, smartass attitude that originally made music and theatre history.

After all, politics is how humans decide collective morality, questions of how to live morally in a community of whatever size and of which values will be shared by that community.

Conversely, religion dictates those answers to humans, rather than allowing them to explore and form their own morality.

The phantom of the opera essay

With Superstar Rice and Lloyd Webber broke new ground in several ways. Second, the idea that rock and roll was an acceptable — even a preferable — language with which to tell this story was quite radical. And perhaps most important to us today, the choice to focus the show on Judas rather than on Jesus lifted the show out of the category of mere cultural rebellion and into the realm of legitimate intellectual and artistic endeavor.

The phantom of the opera essay

Why did Judas feel he needed to betray Jesus? As the quote above shows us, Rice delved deep into all these characters, infusing them with personality, psychology, and ideology that the more simplistic storytelling style of the Bible never offered.

But Rice told us a new story and that choice gave us back the dramatic elements that makes a good story; the politics of this story, the complicated relationship between Judas and Jesus, and so many other elements gave us back the tension, the surprises, and the unknowns that keep us involved in the story.

An active character is always more dramatic than a passive one. This show dramatized not just what happened, but why it happened. Jesus is the same at the beginning of the story as he is at the end.

Why did Judas betray Jesus? To Judas, Jesus lost his stature as philosopher when he gained his status as superstar. Likewise in Superstar that issue was off the table, irrelevant to the story Rice was telling.

Everyone already knows the story of Jesus as the Son of God. This was the other, rarely examined side of the story of Jesus, an "ordinary guy" who became an unlikely star.

It is that ordinariness that gives the story resonance and life but it also outraged Christians. Most people think of Jesus as a religious icon, but the people who lived and worked around him saw him as just another guy. Despite what most of us think, Jesus was not a carpenter in the sense of a trained artisan — the Greek word used to describe him and his father in the Gospels is tekton, meaning anyone who makes things with his hands.

The modern equivalent might be a construction worker or day laborer. But Superstar was also the story of Jesus the social revolutionary, political insurgent, radical philosopher, apocalyptic prophet, a speaker of truth to power that terrified the religious and secular authorities.

His ascendancy from such humble roots makes him even more of a puzzle and therefore more dangerous to the priests. Today, most productions of Jesus Christ Superstar are far blander than Rice intended, comfortably reinforcing mainstream beliefs.

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But this show was meant to be a call to political action, a reminder that all the great political and human rights movements in world history all found their roots in the very radical political agenda of Jesus and Judas.In the Phantom of the Opera, Erik is ill famed for turning Operas into disastrous slaughterhouses and everybody fear and dislike him for that.

He makes ridiculous demands and every single one of them is met accordingly; for if his demands were not met, he warns . "The Phantom of the Opera" (the movie, in this essay) is about more than just a phantom in an opera causing problems.

It's about the world inside an opera house and its real master (the Phantom). Also, it is about a love triangle and the struggles of love between the Phantom, Christine and Raoul. + free ebooks online.

Did you know that you can help us produce ebooks by proof-reading just one page a day? Go to: Distributed Proofreaders. phantom of the opera Essay. Phantom of the Opera Oral Presentation By: Amy Heitz The Phantom of the Opera started off as a book written by Gaston Leroux.

This book was published in and was Leroux only claim to fame. The book was based off strange appearances and hauntings said to be happening at the Paris Opera House in the 19th century. There have been many literary and dramatic works based on Gaston Leroux's novel The Phantom of the Opera, ranging from stage musicals to films to children's books.

Some well known stage and screen adaptations of the novel are the film and the Andrew Lloyd Webber musical (see The Phantom of the Opera ( musical)); Susan Kay's Phantom is one of the best known novels and includes . The constant flow of new students assured that each film would have its own personality, though invariably stamped in the Kuchar mold.

Some students would take more than one class and so “stars” would emerge over an “era” of several productions.

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