He produced some of the finest art in Egyptian history.
Hire Writer He instructed the Egyptians to worship only one god — the sun-god Aton.
He even changed his name to Akhenaton to signify his loyalty to the god Ibid. Formal Analysis Style Most Egyptian sculpture of pharaohs and gods are either standing or sitting on a throne Aldokkan.
When the figure is sitting, the hands are placed on the lap. Egyptian sculptures are normally characterized with symmetry. This is not only because of the prevailing style of the artists, but also mainly because it was the law Aldokkan.
As usual among Egyptian sculptures, the sculpture of Akhenaten does not show any contour of the muscles of the body like the ones usually find in Greek and Renaissance sculptures. One can readily notice that there is no facial expression in the face and the eyes are looking straight forward. The arms are tucked close to the body, just like in any other sculptures of sphinxes, gods and pharaohs.
There is classic beauty, but somehow, the work looks flat. Yet one reason for such The art of akhenaten paper might be to keep the glory and honor of the subject.
The flat look on the face shows how serious pharaohs must have looked like when on their throne and when they were dong their duties as pharaoh. Another thing, a straight flat look on the face must be their idea of dignity and honor.
Form There frame of the body is rather plump, and compared with other sculptures of Akhenaten, there is one thing common — big belly. The plumpness and big belly probably show prosperity.
During the reign of the pharaoh, there was progress, so there was enough food, so the pharaoh must be plum, and in the case of Akhenaten, not just plump, but also big bellied, to give more emphasis to prosperity. Another noticeable thing about Egyptian is the large and plum head usually round.
The purpose of the large head may be to emphasize who the subject is. For them, large mammoth figures seemed to be the standard of beauty. Space The vertical figure occupies not much space in a room but need a lot of space for height.
It does not occupy too much space since there is no much motion and the arms are tucked close to the body.
However, there is some protrusion where the figure holds a tray for offering about the chest of Akhenaten. The very visible horizontal line would be that of the tray that Akhenated is holding.
In the psychology of lines, vertical lines suggest dignity and honor, just as this one does.
Despite being the one giving the offering, the vertical line in the figure preserves the glory of the subject. Composition The figure depicts the pharaoh, big-bellied, standing, holding something for offering. The garment he is wearing is only barely evident for like the arms glued to the body, it also shows no movement or strong appearance.
The figure is very much like a simple person standing, except for the large head, although the blank facial expression, for one, suits the occasion Akhenaten must be in. Motion Though the image merely stands and the arms are glued to the body, there is a sense of motion owing to the occasion that is being depicted.
It is a moment of service; hence, the stationary figure with very little evidence of supposed motion is actually showing almost the fullest extent of motion that has to be seen.
Again the face has no expression, but it is but the right facial expression on a moment of offering that Akhenaten was supposed to be in. Pros of the Material The statue is made of granite. It is definitely a nice choice for easy carving, especially considering the massive forms of the subjects usually depicted in Egyptian sculpture.
It is easier to shape than marble or solid rock. Granite is also a durable material and when buried can last for a long time. Cons of the Material One problem with limestone is that it does not have the strength of marble.This is an illustrated essay discussing the art of the Amarna period in Ancient Egypt, changes in style in this period, and common motifs from the period.
The Art of . Akhenaten was an ancient Egyptian pharaoh who reigned about 3, years ago in the 18th dynasty. He made some major alterations to various aspects of Egyptian culture, the most notable one being his religious revolution. Akhenaten (r. BCE) was a pharaoh of Egypt of the 18th Dynasty.
He is also known as `Akhenaton’ or `Ikhnaton’ and also `Khuenaten’, all of which are translated to mean `successful for’ or `of great use to’ the god Aten. This is an illustrated essay discussing the art of the Amarna period in Ancient Egypt, changes in style in this period, and common motifs from the period.
The Art of Pharaoh Akhenaten's Reign The Art of the Amarna Period. In this paper I will argue that misconception, and clarify that Akhenaten revolutionized ancient Egypt, and inspired future rulers.
Akhenaten was a Ruler of Egypt during the 18th Dynasty. He rose to the throne as Amenhotep IV, following his father Amenhotep III. Akhenaten’s famous two relief sculptures, House Shrine and Akhenaten Making Offerings, reflect the revolutionary changes in art and religion and therefore of politics during .